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MUSIC CATALOGUE:

Brand X Trilogy
Brand X Timeline
Sarah Pillow Remixes
Sarah Pillow Nuove Musiche
Sarah Pillow Paper Cuts
Tunnels Natural selection
Tunnels Live The Art of Living Dangerously
Tunnels Progressivity
Tunnels Progressivity
Tunnels Painted Rock
Marc Wagnon An Afterthought
Marc Wagnon Shadowlines
Mike Clark - Paul Jackson - Marc Wagnon Conjunction
Nicholas D'Amato Nullius in Verba
Percy Jones Cape Catastrophy
Percy Jones Propeller Music
Morris Pert The Voyage
Morris Pert The Music of Stars
Morris Pert Desert Dances

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cape catastrophy music CD cover Cape Catastrophy

A Rare, out of print album from the master of the fretless bass. A real tour de force which showcase Percy Jones as a multi instrumentist and tech wizard, this excellent recording was done on a Tascam four track cassette recorder

This recording is available as digital download only

Personnel

Recorded By Percy Jones

All synth and drum programming by Percy Jones
Bass performed "live" by Percy Jones during mixdown to digital

original release 1990

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propeller music CD cover Propeller Music

Rare, out of print recording by Percy Jones and friends from 1989. Features appearances by Jeff Llewelyn, Shankar, Joe Sofia, Anton Sanko, Sterling Campbell and Mike Clark.

This recording is available as digital download only

Personnel

Percy Jones: Basses, Keyboards (Tracks 5, 6, 9, 10)
Jeff Llewlyn: Guitars
Shankar: Violin (Track 7)
Joe Sofia: Vocals (Tracks 5, 6, 9, 10)
Anton Sanko: Keyboards (Tracks 1-4, 7, 8, 11, 12)
Sterling Campbell: Drums (Tracks 3, 7, 12)
Mike Clark: Drums (Tracks 1, 11)

original release 1989
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Bios:

Percy Jones

Percy was made famous by composing for and playing with the English band Brand X. Since then he has performed with various other artists, including Brian Eno and Bill Frisell. He also hascompact discs out of his own projects, including the band Tunnels,and is considered to be one of the greatest bass players in the world by Bass Player magazine.

Reviews:

Bass Player, Jan/Feb 91:
After recording a handful of seminal fusion albums with Brand X, Jones moved to New York in the early 80's. SInce then, he has concentrated on developing his solo live performances, backing up his fretless Wal 5-string with pre-programmed synths and drum machines. The current state of his art is captured masterfully on Cape Catastrophe. On the seductive opener, "The Lie," Jones draws us into his music's dark atmosphere with slippery, sinister melodies and eerie samples. Then following the stomping nouveau-backbeat of the title track, we become willing victims of "Hex," a frenzied funkfest. Echoes of Brand X reverberate through "Tunnels," as Middle-Eastern tonalities mingle with Percy's exploding harmonic slides and rapid staccato runs. The bassist's gift for melody predominates on both "Slick," with its stately Euro-theme and "Thin Line," a techno-bopper punctuated with rubbery double-stops. But the album's centerpiece-and-masterpiece-is "Barrio," a 23 minute tour de force that is a starling realization of the sonic possibilities of the fretless, post-Jaco.

Guitar World. May 1991:
The thought of an album driven almost entirely by a fretless bass may be unpalatable to some, but anyone who knows Percy Jones' previous work knows that his expressive, throaty tone is more than up to the task.
On this amazing solo effort, the instrumentalist creates a jungle of tense, dark atmospheres. Using only a Casio-CZ101 synth, a sequencer, a digital delay, a drum machine and his own inimitable fretless bass, Jones pulls the listener through a dazzling variety of exotically jagged terrains. As each composition unfolds, one is always left guessing what lies beyond the next sharp outcropping of sonic rock.
Home recording enthusiasts will find this CD"s sound quality to be one of its most remarkable aspects, particularly as it was produced at Jones' home on a cassette 4-track machine. You'd never know it from listening.
Bassists in particular will flip over Cape Catastrophe, but it is a must for every fan of exciting instrumental music.