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Bios:
Percy Jones
Percy was made famous by composing for and playing with the English band Brand
X. Since then he has performed with various other artists, including Brian Eno
and Bill Frisell. He also hascompact discs out of his own projects, including
the band Tunnels,and is considered to be one of the greatest bass players in the
world by Bass Player magazine.
Reviews:
Bass Player, Jan/Feb 91:
After recording a handful of seminal fusion
albums with Brand X, Jones moved to New York in the early 80's. SInce then, he
has concentrated on developing his solo live performances, backing up his
fretless Wal 5-string with pre-programmed synths and drum machines. The current
state of his art is captured masterfully on Cape Catastrophe. On the seductive
opener, "The Lie," Jones draws us into his music's dark atmosphere
with slippery, sinister melodies and eerie samples. Then following the stomping
nouveau-backbeat of the title track, we become willing victims of
"Hex," a frenzied funkfest. Echoes of Brand X reverberate through
"Tunnels," as Middle-Eastern tonalities mingle with Percy's exploding
harmonic slides and rapid staccato runs. The bassist's gift for melody
predominates on both "Slick," with its stately Euro-theme and
"Thin Line," a techno-bopper punctuated with rubbery double-stops. But
the album's centerpiece-and-masterpiece-is "Barrio," a 23 minute tour
de force that is a starling realization of the sonic possibilities of the
fretless, post-Jaco.
Guitar World. May 1991:
The thought of an album driven almost
entirely by a fretless bass may be unpalatable to some, but anyone who knows
Percy Jones' previous work knows that his expressive, throaty tone is more than
up to the task.
On this amazing solo effort, the
instrumentalist creates a jungle of tense, dark atmospheres. Using only a
Casio-CZ101 synth, a sequencer, a digital delay, a drum machine and his own
inimitable fretless bass, Jones pulls the listener through a dazzling variety of
exotically jagged terrains. As each composition unfolds, one is always left
guessing what lies beyond the next sharp outcropping of sonic rock.
Home recording enthusiasts will find this
CD"s sound quality to be one of its most remarkable aspects, particularly
as it was produced at Jones' home on a cassette 4-track machine. You'd never
know it from listening.
Bassists in particular will flip over Cape
Catastrophe, but it is a must for every fan of exciting instrumental
music.
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