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MUSIC
CATALOGUE:

Brand X Trilogy
Brand X Timeline
Brand X Manifest Destiny
Brand X X-Comunication
Sarah Pillow Remixes
Sarah Pillow Nuove Musiche
Sarah Pillow Paper Cuts
Tunnels Natural Selection
Tunnels The Art of Living Dangerously
Tunnels Progressivity
Tunnels Painted Rock
Tunnels with Percy Jones
Mike Clark - Paul Jackson - Marc Wagnon Conjunction
Marc Wagnon Earth is a Cruel Master
Marc Wagnon An Afterthought
Marc Wagnon Shadowlines
Nicholas d'Amato Nullius in Verba
Percy Jones Cape Catastrophe
Percy Jones Propeller Music
Morris Pert The Voyage
Morris Pert The Music of Stars
Morris Pert
Desert Dances
Jake Hertzog
Chromatosphere
Jake Hertzog Patterns
Jake Hertzog Evolution
Alon Nechushtan
Words Beyond

Propeller Music   Percy Jones      Press quotes      Join the mailing list
Patterns CD cover

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Personnel:

Percy Jones - basses, keyboards (Tracks 5, 6, 9, 10)
Jeff Llewelyn - guitars
Shankar - violin (Tracks 1, 3, 7, 11)
Joe Sofia - vocals (Tracks 5, 6, 9, 10)
Anton Sanko - keyboards (Tracks 1-4, 7, 8, 11, 12)
Sterling Campbell - drums (Tracks 3, 7, 12)
Mike Clark - drums (Tracks 1, 11)

This album, now offered as a digital download, is the perfect window into the early solo career of Percy, and features the first version of his popular composition Slick. Made in Brooklyn in the mid-80s with musicians from the then NYC scene including Shankar, David Bowie drummer Sterling Campbell and the late guitarist Jeff Llewelyn.

Percy Jones
Propeller Music

Digital only

Song List select icons to listen a single track

1. $10,000 Bookshelf listen to track 1.
2. Heidelberg Switch listen to track
3. Barrio listen to track
4. Panic - Disorder listen to track
7. Count the Ways listen to track
6. Turn Around listen to track
5. Slick listen to track
8. Slack listen to track
9. All For A Better Way listen to track
10. Looking For A Sign of New Life listen to track
11. Razorville listen to track
12. K2 listen to track

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Press for Cape Catasrophe:

After recording a handful of seminal fusion albums with Brand X, Jones moved to New York in the early 80's. SInce then, he has concentrated on developing his solo live performances, backing up his fretless Wal 5-string with pre-programmed synths and drum machines. The current state of his art is captured masterfully on Cape Catastrophe. On the seductive opener, "The Lie," Jones draws us into his music's dark atmosphere with slippery, sinister melodies and eerie samples. Then following the stomping nouveau-backbeat of the title track, we become willing victims of "Hex," a frenzied funkfest. Echoes of Brand X reverberate through "Tunnels," as Middle-Eastern tonalities mingle with Percy's exploding harmonic slides and rapid staccato runs. The bassist's gift for melody predominates on both "Slick," with its stately Euro-theme and "Thin Line," a techno-bopper punctuated with rubbery double-stops. But the album's centerpiece-and-masterpiece-is "Barrio," a 23 minute tour de force that is a starling realization of the sonic possibilities of the fretless, post-Jaco. Bass Player

The thought of an album driven almost entirely by a fretless bass may be unpalatable to some, but anyone who knows Percy Jones' previous work knows that his expressive, throaty tone is more than up to the task.
On this amazing solo effort, the instrumentalist creates a jungle of tense, dark atmospheres. Using only a Casio-CZ101 synth, a sequencer, a digital delay, a drum machine and his own inimitable fretless bass, Jones pulls the listener through a dazzling variety of exotically jagged terrains. As each composition unfolds, one is always left guessing what lies beyond the next sharp outcropping of sonic rock.
Home recording enthusiasts will find this CD"s sound quality to be one of its most remarkable aspects, particularly as it was produced at Jones' home on a cassette 4-track machine. You'd never know it from listening.
Bassists in particular will flip over Cape Catastrophe, but it is a must for every fan of exciting instrumental music. Guitar World